Wednesday, November 27, 2013

After the funeral

She was hungry.

She walked into the kitchen, the heart of the house. His smell was not here, not like in the bedroom, on his pillowcase; or in the bathroom, his fine silver hairs scattered in the sink. Instead, a tangy, overripe odor caught her midstep. She paused, her eyes sweeping the gleaming countertop.

It was an orange.



From where she stood, she could read Sunkist on the label. Late afternoon sunlight backlit the orange, giving it a dusky glow and casting a round shadow in the basin of a giant fruit bowl.

Her hand fluttered to her throat, squeezing tight against the tightness that was already there, a tightness that was always there, lately.
It's just an orange, she whispered, stepping back, ready to flee the kitchen and all that round fruit represented.

Just an orange - and her mind scattered back a dozen years, to the early days of their coming together.

"Here," he said then, picking up the round fruit. "Let's share this." His strong fingers dug into the pitted skin, his nails whitening as he dug in, dug in, first creasing, then tearing the tough hide. The skin split and his fingers widened the gap. She leaned back, expecting the juicy spray that Sunkist crowed was a hallmark of its Florida goodness. No spray -- just a slow ripping sound as the peel lifted away, exposing a thick white covering.

"Oh, I don't really like oranges," she had said then. It was true.

But he persisted, and his will prevailed. For the next seven years they shared two oranges a day, a lunchtime ritual she would miss sorely when she changed jobs.

She hated to peel oranges herself, and so never ate them again.

He had learned to love sharing oranges with her; when she left he began playing cribbage at lunch, and so never ate them again. The juice made the cards sticky, he said.

Alone now, standing in her kitchen - their kitchen! she picked up the orange. It was heavy and old, its skin wrinkled and puckered. It looked like the world to her now - a small universe of sweetness buried under a thick shell. She remembered the rest of the fruit basket: grapefruits and bananas. She'd eaten those and never noticed the orange.

She studied the orange, walking her fingers along the lumpy skin. At the navel, she paused, thinking about how everything has a beginning, and an end. She touched her own navel, through the worn cotton shirt she was wearing. An outie, just like the orange. She wondered briefly where her next connection would be, then started to cry.

She sat, and placed the orange on the table. She studied her hands: nails split, but serviceable.

She picked up the orange, considering.

Slowly, she dug in her fingers. First the skin creased, then it tore. Juice spurted, a slightly rancid smell. She carefully pulled the skin off, piece by piece, building a small pile on the table. This orange, like the first one they shared, was covered in a thick white rime. Underneath she could see pale orange ripples, the segments of the fruit waiting to be pulled apart one by one. She carefully carved away what she'd always called white gunk. It took a long time; she wanted every shredded thread gone.

As she worked, she thought. Memories of him piled in, one on top of another. That first day, sharing the fruit. Other days, enjoying the orange glow of a sunset at the beach. Years whirling by, colored with the wonder of having found him, her soul mate, and as their love grew, it rounded off her rough edges, softened his coarse ways. It had grown, bigger and rounder and fuller than the juiciest orange they had ever shared.

And then her world burst, flattened by fate. She paused, looking down at her hands, the naked orange, the pile of skin.

Now the orange was a pale gold ball, suffused with its own internal glow. Fingerholes pocked the surface, marking spots where she had dug in too deeply. Juice had oozed out, creating shimmering streaks on the table.

She pulled apart the orange, its snickering separation causing her to shudder in familiar recognition. She laid each half-moon segment on the table, creating a circle, then a sunburst, next a rainbow.

Finally she shaped his name, and ate the pieces, one by one.

by Susan Rich, (c)2014 All Rights Reserved

Memories of 4711, not 007

Dedicated to my Grandma Sally; she died 12.1.2007


It’s a big bottle, with square-cut sides. The teal and gold foil label is an ornate design that hearkens back to a vintage era. The liquid on the inside: spun gold; a cologne, a body splash, a scent. The screw top whirls on glass threads easily; the cap slips off and contents slosh loosely over cupped palms.

A dash here, a splash there; perhaps just a careful daub on the wrist.

4711 has been around as long as I can remember, always holding a place of honor on grandma’s dresser. Over the years her hair has grayed, her body stooped. She has lived in threes home since I’ve been able to count and the bottle that holds her scent is always there; its evocative, musky tang an immediate El Train ride back to my childhood.

To smell 4711 is to know her neck, the soft spot where I used to rest my cheek. Her hands, cooler with age now, used to soothe me, leaving her whisper of love on my hair, my clothes.

Produced in Austria, there was a time when 4711 could not be bought in America. She had her brother ship it from England, an extravagance that left pre-teen me looking for 4711 in department stores. I wanted to find her scent here, to make her a present of the unattainable. This was the quest that taught me to yearn; to desire, to dream about success against the odds. A bottle of cologne, whose first two numbers add up to the last two, taught me that some things are precious and should be protected and nourished.

Too many years have gone by since I was a small child in grandma’s embrace. My infrequent trips home show me the hard truths of aging; a dear life winding down. While so much has changed, the bottle of 4711 on the dresser has not. Neither the bottle, its labeling or distinctive odor have altered one bit in more than 30 years. It is a lesson in continuity; to me, it spells love.

It is this sweet nostalgic yearning that draws me to the elaborate display of 4711 in my hometown department store. I am struck by its existence; my unexpected success after so many years of searching. I’ve never seen so many bottles, so many sizes, in one place.

Hesitant, I approach the table, pick up the tester. The cap twists off easily in my hand. I shake a few drops onto my wrist; it dries quickly, leaving a cool tingle. The familiar odor tickles my nose and my heart flutters. I’m a child again, being with grandma, eating Neopolitan ice cream and playing with Chock Full o’ Nuts coffee scoops. I can see the Rockettes high-stepping their way around the grand stage in Radio City Music Hall; I remember climbing hundreds of stairs to reach the top of the Statue of Liberty.

I remember feeling surrounded by love –

For the rest of the day I can smell my grandma in the echoes of 4711.

by Susan Rich, (c)2014 All Rights Reserved

Liar, liar

Mary calls. She's crying.

"I'm leaving him. Warren."

My stomach tightens a little at this, a rollover that feels like a slow-moving breaker out on the sea. I don't know what to say, so I sit in careful silence, press the phone a little tighter against my ear.

She sobs uncontrollably for a moment, and then pauses, her breathing ragged and wet. I can feel her misery soaring through the wires, wrapping itself around my heart, my imagination. I finally think if something to say:

"How come?"

"He hit me."

At her words my left hand flutters in my lap. Unbidden, it starts to knead the fabric of my jeans, pulling it taut over my thighs. The pinprick hole in my heart suddenly begins to widen, a tiny blister of pain that is on the verge of being lanced.

"You're only married eight months," I mutter, and as soon as the words slip out, a part of me recognizes the absurdity of that remark.

Dead silence, then: "What, you think I should stay?" No reproach in her voice, just confusion, the dawning thought that whatever far out occasion caused him to strike her might have somehow been her fault, and that she might not have the right to leave.

I say nothing. I have nothing to say because I don't have a very good answer myself, but she doesn't know this. Can't know this. House rules.

She's crying again, and it's a frightened sound, full of the dark undertones of a fox with its paw caught in a trap. She loves this man, and he has hurt her. I try and block out the spasm of recognition, the urge to confess my sisterhood. Now is not the time for me to talk, it is my time to listen and say the right things.

"No matter what happens, he doesn't have the right to hit you," I say bravely.

"That's right." She stops, and the phone clunks down.

Over the long distance line I hear her fumbling, knocking over an object that crashes dully. I flinch, and my heartbeat quickens. Guiltily, I glance around the room, but the door is closed. The TV in the den is on, blaring basketball scores. I can hear his hoarse shouts, the sibilant hiss and pop of another beer being opened. I wonder how such a soft sound can echo so loudly.

You know why, a little voice whispers. You know what it means.

"Sorry." Mary's back. "I had to find a tissue." She blows her nose then, a brisk honking sound.

If I close my eyes I can see the soggy tissue, probably capping off a sodden stack. I bet it's about ready to topple over, like her marriage. Or maybe she's just holding it, shredding it in her lap, covering herself in tiny white flakes of sorrow. If she stays long enough she can make a blanket of tissue dust and cover herself completely.

I stare down at my left hand, see how it has twisted the fabric of my jeans. My wedding ring twinkles in the dim bedroom light.

"…Susan?"

I jump. Hadn't been listening.

"Tell me what happened," I say now, tensing myself for the words to come.

I suddenly feel weightless, a drifting sensation pulls me out of my rose-colored room and into the chilled night air. I am outside myself hearing something I don't want to know about someone I know very well.

For a moment I'm confused, wondering if I'm thinking of Mary or myself.

She's crying again. She's not ready to say. Not yet. But I feel it ballooning in her mind. What happened. What led up to the hitting. And what she did wrong. She's adding backwards, and then dividing herself in half.

I know if she stays she'll divide in half a few more times, until she is a bunch of little pieces that live inside the Mary mind. There will be these boxes, all shapes and sizes and colors; compartments of personality, stacked in her mental closet. An elaborate filing system of hats and shoes, accessories she will seek out and wear to suit whatever maelstrom is hurricaning through her home.

I call it coping, and in that moment, I see nothing wrong with it. I want to say this, offer a reassuring answer to the agony in her voice. But I don't, because the words I have can't push past the small inner voice that has been chattering at me lately.

"When will you go?" I ask instead, and in that question I surprise myself: I ache for her answer. I yearn to hear tonight, tomorrow or next week. Anything but next year because one year is the same as five.

"I don't know. I haven't told him yet."

I exhale noisily. Relief? Pity? I'm not sure. But my words don't hesitate.

"You want him to hit you again? If you stay he will."

I look up then, catch my reflection in the dresser mirror. I wasn't expecting this face-to-face moment, and my expression, unguarded, is frightening in its intensity. I twist away, pummel my leg with my left hand while the right squeezes the phone in a blistering grip.

"If he hit you, you shouldn't stay."

"I know." And I think she does. But knowing and doing aren't the same at all.

A long silence pulls my nerves. Suddenly Mary's words bolt across the wire:

"We were fighting about money. I got my bank statement in, found out he had spent more than $5000 in a month. On what? I don't get it. And he wouldn't tell me and I got really mad and started yelling at him – we might be married but that was still my money. It was my money before we got married, never mind the joint account – and Susan – he grabbed me and threw me against the wall. Then he hit me…and then he hit me…"

"Ohhh, Mary." I tuck forward, protecting myself from what I just heard.

"Susan…I know you had a hard time when you first got married…but…did he ever hit you?"


There it is. The question. It hangs like a perfect pearl in the air between us. Fragile in its simplicity, it begs for truth.

I glance down at my left hand again, automatically tilt the ring so it catches the light. I jab my hand until the wedding band flips around, sparkling diamond facing inward, its sharp edges cutting my palm. I squeeze my hand hard and open it, study the imprint that turns white then red.

I say: "No. No, he never has."

Mary draws a deep breath, and tells me in a shaky voice that I don't know what it's like.

She starts to speak again, but I can't hear much over the sudden shrilling in my mind.

Liar! Liar! Oh you liar liar liar! How can you lie? Why do you lie? Oh you will pay for this, pay for this, you liar liar liar!

I squeeze the phone, my left hand, my heart. But the words keeps echoing in my mind, so loud they must be stopped because they might be overheard.

Liar! Liar! Oh how you lie! You can tell her you should tell her you need to tell her – get out get out get out oh you lousy lousy liar!

"Get out!" I plead softly. "Mary. Please, don't stay."

I shake my head, but the shrilling continues.

She cries. I don't.

I hear a noise, and I slide up the bed, pressing against the headboard, my back to the wall.

The door flies open. He is standing there, staggering unsteadily, his brow fiercely tangled, his eyes red and angry.

The game is over. I think the Blazers must have lost.

"I have to go now," I say.

And I put down the phone.

by Susan Rich, (c)2014 All Rights Reserved

The importance of clean feet

Sitting on the toilet, left foot propped over right thigh, skin on the big toe soft and puckered from the bath.

In my right hand, a nail clipper.



Grasping the sides of my big toe firmly, I bring the clipper down, tweeze the white skin over the ball, shredding it.

No callus today; that was several weeks ago, before I fell into the passion of cutting apart my feet. If I didn’t bathe first to swell the skin there would be nothing to grab.

Now I’m bearing down on fragile flesh that tears, layer by layer, until all the white is gone and a bubble of red oozes out of the cross-hatched opening.

I ignore this first sign of success; instead re-angle my foot. Lightly, gently, I turn it, peering at the skin that is now rough and ridged, pleased to see I have created more surface to grab, cut, make smooth like it was before the bath.

Pinhole becomes hole; hole opens to maw: tiny lips gape.

My heart flutters; I am excited by the ripped flesh, the view it offers into my body. I wish to cut all the way to bone, but I’m scared; I already know no one does this but me.

Fascination turns to betrayal: The new mouth sings pain so I squeeze it hard, relaxing as the blood crests, runs, down the side of my foot, onto my leg.

I shift the clipper away from the big toe, down to the fleshy pad of the foot. Jaws open, snatch, close, pull, tear, bleed.

Pain. Not just my foot, but outside that locked door, down the hall, past my room, my sister’s, into the living room with brown shag carpet and plaid wallpaper. In there the TV lives and my father snores.

Both feet are clean, raw, bandaged. Dead flesh clings to the clipper, the sides of my fingers: fat wormlike chunks I ignore now that they are off my feet.

The bathtub swallows my secret.

When I was 14 years old, I cut my feet daily for about six weeks. It scared me: how the very idea came out of nowhere, the compulsion, the relief, the shame. It wasn't until a friend bragged about her calluses being so thick she could stand on a hot Arizona sidewalk that I found the courage to stop.

by Susan Rich, (c)2014 All Rights Reserved

High stakes love

“I love you,” Jenny said, wrapping her arms around Tom. “You mean everything to me.” They kissed, a long cling that made her heartbeat flutter.

Tom pressed warm lips into the side of her neck. She could feel the soft bristle graze across her skin. She stretched, a languished feeling that made her think of a cat pulling itself long, thinning itself out to enjoy a patch of warm sunlight.

His hands dropped from her shoulders, to her waist, encircling her hips. He pulled her forward, crotch to crotch. The rocked for a moment, layers of clothes rustling softly. “I love you too,” he said, a warm exhalation in her neck. They had watched UP earlier that day, now his grip tightened. “That movie made me feel so old.”

Tom was 15 years older than Jenny. It was a fact they’d danced around all the years they’d been together. Neither could imagine life without the other, neither could stand the thought of the age difference and what it meant in terms of log-term companionship.

“I knew the stakes when I married you,” she reminded him. “I took the whole package.” Her eyes were burning. Too much love, too intense. “I’d rather spend ten years with you, knowing I’ve been truly loved, than ten years with anyone else and never getting half as much.”

Stockpiling, her mind whispered. Collecting hugs and kisses and squeezes and sweet loving words. Insurance against long lonely nights she hoped would never come.

He pulled away and looked at her. “That’s sweet.” He kissed her again, lightly. They held a moment longer, and then let go. He climbed back on the ladder. “Can you hand me that screwdriver?”

by Susan Rich, (c)2014 All Rights Reserved

Freedom's cost

There was this needlepoint: A medieval scene of two horsemen dressed in silver mail, two horses rearing, mouths opened, teeth bared, spittle flying. The knights were bathed in a fiery glow of orange and red, tinged with blue heat and tips of hellish glory.

It was a violent tapestry and my sister and I loved it, were fascinated by our mother’s miraculous progress of creating this six-foot canvas night after night. Black, gray, silver threads made this garish nightmarish scene come alive. In days, in weeks, in six months that giant needlework was done.

“Frame it!” my sister and I clamored. My mother became ill at ease every time we asked to see the picture.

“Why do you like it? It’s a nightmare,” she said.

Finally, she framed it, in dark burled wood. Then we found it hidden under her bed. We begged her to hang it, in the hallway, the main line into our house. When we moved to Arizona she left it behind, claimed it was too big, too expensive, too gaudy to move.

Years later she told me that she started the needlepoint to calm her relentless anxieties, to still the panic that invaded her nights, to quell the nightmares that plagued her still from the Nazi camp, across the ocean and into her new world. This needlework was meant to expunge the fears, slay the bad dreams. It was not meant to be seen by us, framed, or hung.

Too see it in the light of day was to remember and realize the cost her freedom.

by Susan Rich, (c)2014 All Rights Reserved

Everlasting

The last time I saw my mother she had an expression on her face I cannot name to this day. My mind supplies me with a stern look, brown eyes glinting, mouth slightly open, her last words rising to the ceiling where fan blades caught and twirled them back down to me. “I don’t know who you are. I don’t like you. I don’t trust you. I don’t respect you.”

I have other pictures of my mother, ones where she stands clear, sculpted in sunlight or shadow, limned by the fluorescent lights in the kitchen, dappled by dangling plants in an outdoor tacqueria we used to frequent when I’d come to town.

I have memories of her smile – the look of delight when she’d see me standing at the arrivals gate at the airport, a look of expectation, an almost unbridled joy, her words, “I couldn’t wait to see you. You look good. I’ve been counting the days.” And my father: “She was making me crazy. Watching the clock. Afraid we’d be late.” More than a loving look; it was my mother’s face and for a decade of visits home it was etched and clear and beautiful in my mind.

But she gave me that look, and used those words. Her posture, ramrod straight against the curved back of a plush couch. Tiny feet tucked under a black dress. Tinted hair framing a hard-lined face, lips a nibble of flesh.

We had just buried her father, my grandpa. It was also my birthday, a day she suddenly refused to acknowledge. After 38 years I was shrouded by an old man who welcomed the respite from living.

The last time I saw my mother was the first time I saw her burning need to control an unordered world. Her ironclad will could not stay the family carousel, so she scattered the horses and trampled the riders.

Nothing in her face, her harsh stare, called out to me. Those dark eyes like mine offered no ledge for me to hang my hands, dig in my nails, lay down my heart. Her look was a dictum: Apologize or be decimated. I hadn’t done anything but get married, grow joyful: “shunted aside and ignored,” was her accusation.

That moment, now a memory, lies thickly over all others: My mother extracting a price for unconditional love equal to the cost she paid to give it. No change permitted in her tight little world; I saw my life through her eyes coalescing, telescoping, into one hideous moment of clarity: She had no sense of me.

I left the house that day, my mother’s words clinging to me like the red clay I sprinkled on grandpa’s coffin. Burial of a different sort; anguish tamped down six feet, emerging a time later as this: The last time I saw my mother there was an expression on her face that I no longer choose to name.

by Susan Rich, (c)2014 All Rights Reserved

A handful of red dirt

Today we are burying grandpa.


After a long drive on Arizona freeways, a stone archway heralds where the Jews are buried. The car windows are shut and cold air blows. I face the glass, stare at the grass and trees and flowers unraveling along the sides of black ribbon. Next, headstones, announcing lives beginning and ending; unfolding, folding, like the paper fans I’d made as a child.

I am a Jew by birth, but I do not know what my faith means to me. This blankness is a flaccid muscle, waiting to contract. Right now, it’s smooth and white and still, a sharp pebble in a cold stream. I touch my eyes. They are dry. My husband strokes my hand. Tells me his love.

We get out of the car, pass through a field of silent stones to a grassy area covered by a canopy. I can see the casket, a row of chairs, a cluster of people. The rabbi is there, and someone else is handing out yarmulkes and black lace caps. I take one, my mother pins it to my hair. It is the first time she has touched me since I came home two days before. I stare at her, but now is not the time to talk.

She turns away and I do too and go over to the canopy, the chairs, the casket suspended on a winch. A tidy pile of dirt frames the scene. I can’t see below the coffin. I don’t want to. It is enough to stand there and look. See the casket, the canopy, the chairs. Sit in a chair, under the canopy, stare at the casket. My sister sits down next to me. My cousin rolls her chair around to the other side. They each take a hand. My sister’s is ice cold, like a water glass, clammy. Robin’s is hot and coarse, and I think of the rubber treads on her chair, the groove it makes as it creases soft flesh. I wonder what tales a palm reader would spin about the scores and tracks that etch her hard dry hands.

The service begins. Robin squeezes my hand, my sister twists mine. I want to pull away but I don’t. I look at her sideways and I can’t hear the rabbi. I want to say “I don’t like you” and I want to say “You are not my friend” and I want to say “I never will speak to you again” I want to say “You are a horrible broken person and you do not have a right to treat me the way you have our entire lives” and I want to scream “Get out of my sight, you are an ugly soulless bitch,” but I don’t.

I let my sister pinch my hand. She cries. I stare at the casket. I don’t.

The rabbi is leading us in The Lord’s Prayer, and I am surprised. I did not know this as a Jewish utterance; thought only Christians owned the rights to these words. I am embarrassed. I don’t know the verse, yet I hear my parents speak without hesitation. I want to yell at my mother, at my father, for hiding my heritage, for shaming me in front of grandpa.

He is before me now in a simple gold-colored pine box emblazoned with a Jewish star. I don’t know what to say, what to do, what to expect, how to be. I am at my first funeral, and I am lost.

The only thing I can do is feel and I feel. Angry. Hurt. Cheated. Bad. They raised me to be a Jew not Jewish and there is a difference and it is all before me, in this box where I am told my grandpa lies, naked, wrapped in a shroud, his tallis around his neck. I didn’t know he had one, and I wonder if it’s the same one he got after his bar mitzvah, and if he kept it, protected it, honored it, all his life, despite fleeing the Nazis, living in exile, finally coming to America. I wondered if this is the tallis that was packed in his suitcase during the long ocean voyage or did he buy a new one in his adopted country.

I thought about the tallis, a sacred prayer shawl Jewish men wear after they achieve manhood, tried to match this image of religious devotion with my grandpa, who denounced people and religion and God when I was part of his life, and I think of him now, lying naked in a box wrapped in a gauze shroud and his tallis. I look at him, suspended before me, and realize I know nothing.

The prayer ends, a moment of silence. I watch the coffin rock slowly back and forth, a cradle with my grandpa inside. There is no lullaby for this moment. It is a void. He is going into a void. He has entered the void; he is lost to me and I don’t know where he is but I do know I will never see him again. I cry a little bit, remember he was ready to die, that he was 90 years old and in poor health and he’d accepted what was and was ready for what wasn’t.

The winch turns; the cables creak. I stand on my toes, arch my neck, follow the progress of the coffin into the bottom of the hole. It slides through the opening, a slim gap on either side. My grandpa is inside this beautiful pine box; he fits in the coffin, the coffin fits in the hole. Soon the hole will be covered and a headstone will stand in front of it. This is not frightening or bad. It fits.

We form a line, my parents, my sister, me. We walk up to the edge of the hole, told to take a handful of dirt and shake it over the coffin. It’s our last chance to say something, see something, know something. My mother goes first. I can’t hear what she says but her face contorts, her mouth unhinges and she slides to her knees. My father grabs her, he is holding her up, and his grip on her looks painful.

He goes next: Lets go of my mother, turns, grabs a shovel. He looks mean around the mouth and his green eyes squint down behind glasses. His large hands grab the shovel, he digs, swings around, dumps. His face is blank, his mouth is still. “And stay there!” is what I see in the line of his shoulders, his arms, his hands. He sticks the shovel back in the mound, dusts off his palms and walks back to my mother. He takes her by the arm and they return to their chairs.

My sister steps forward and with a white shaking hand scoops up the brown and walks slowly along the edge, flicking her wrist as if she were a gardener planting grass seeds. I watch her lips move. I stare at the black lace cap crunched down over her thick short hair. Although I can see her clearly, she seems to fade against the bright green grass and the shadows under the canopy. She moves slowly; when I look for her again she has gone back to her chair.

Now I am looking at the pile of dirt. I can see that it is reddish-brown, not as dry as I’d thought. I stoop, place my hand on the rounded loaf, my palm rests briefly and I feel the cool chill that will cover my grandpa. I take a handful and stand, my wrist shaking, let fall a rain of red dirt. I walk slowly along the edge and look down.

Six feet doesn’t seem that far. The gold of the casket is sprinkled with dirt, but it still looks clean. I cannot see the Jewish star anymore. I look, and I see: The casket is inside the rectangular hole in the ground. The casket fits the hole. There is a little bit of room on each side and it fits. It still fits. It is fitting.

My grandpa is in the hole, in that casket. I believe he looks as he did in hospice: an old man sleeping. I don’t think about his face, his eyes, his nose, his mouth, covered in a gauzy wrapper. I step and I step and I sprinkle and I say “Good-bye grandpa, I hope I see you in a better life.” I don’t mean heaven. I mean another round on earth. I mean another chance for both of us.

by Susan Rich, (c)2014 All Rights Reserved

Nothing but spoons

My new friend is getting a divorce.

After 20 years of marriage, Cheryl and Bryan are calling it quits. It’s not something she wants, but it’s happening anyway. He cheated on her, had a one-night stand with some girl in a bar. Cheryl was prepared to forgive and forget, but he asked her to move out instead.

In the end he got what he wanted: Cheryl filed for divorce, then went to New Zealand for her 40th birthday. She came back with stories about a few passion-filled nights spent in the Southern Hemisphere.

Before she left, she had to buy new silverware.

She invited me to see her apartment, a one bedroom unit with a loft overlooking a field in suburban Vancouver. It wouldn’t be long before a strip mall or another multi-unit condo complex obliterated the grassy plain, but that night it was a sweeping vista that rode the horizon.

I arrived at sunset, and we watched the sky purple like a bruise. A few shades of peach, a brief blast of orange and the sky settled into navy blue dusk.

Cheryl showed me around: The bathroom was huge, large enough for a family of four, with double sinks and a long countertop. A deep bathtub surrounded by a tropical-patterned shower curtain. No pink rose make-love-to-me-now aromas lingered in this new space of hers, instead the prickle-pucker tang of citrus made me think of hot sand and Margaritas.

The bedroom was large, with a walk-in closet. One row of bars hung empty; a naked hanger swinging by its hooked tooth made a whirring sound as it sawed back and forth.

“Pretty big closet,” I said.

She shrugged. “I don’t care much for clothes.” She tugged at her new sweater, frowning. Then her electric smile was back. “Things change,” she said brightly, and I nodded.

A Queen-sized bed, made up with layers of pillows and a quilt with a wedding ring design, dominated the room, singing out an empty invitation. She didn’t look at it, other than to tell me the bed was new.

We went upstairs to the loft, where I admired her Mac computer, the printer on a pull-out shelf, clear plastic storage bins that housed paper, pens and sticky notes. Conversation stuttered; a series of dead sparks. I struggled for words, lost in compassion. This was my new friend. This was her new apartment, the first real night of her new, unasked-for, life.

We had no shared history between us; at this moment less of a connection than the man she would eventually meet in New Zealand. We finally took to staring at each other, and the silence was like a pause of breath, that space between the deep in and the sighing out.

Finally: “You’ve got to see the kitchen.” We crunched down the stairs together, her shoulder brushing mine with every step.

The kitchen was painted white, a plain fluorescent bar hummed overhead. Cabinets were bleached oak, chrome door pulls. The floor was cream-colored vinyl, a four-square pattern marked with bland daisies. Bare windows overlooked scrub field, a small cactus perched on the sill.

Every cupboard door was opened, loosing a stream of anecdotal, half-rhetorical questions, words shaking down around us like salt, no time for answers before the next spray of words: “Do you like chipotles? I have this great recipe for mayonnaise, I’ll have to cook for you sometime…”

On her knees Cheryl showed me the pots and pans, some were new, others bore the rings of her marriage, like age lines on a tree stump.

“Bryan and I got this our first year together. I’ve always used it to cook rice. He was nice enough to let me take it….”

I closed my eyes, wondering at a man who would even argue over a cooking pot, and decided some things were fairly easy to give away. I caught Cheryl’s glance then, and looked at my feet. The silence echoed between us. It was this room, this apartment, this little life that had been planted and was still stuck in frozen soil.

A few more cupboards were opened and closed. The refrigerator handle was yanked and bare shelves glittered in the harsh light. A carton of eggs, some milk and yogurt crouched on the smooth plastic shelf. The commentary burbled on: No time for shopping but we’d have pasta and a basil-tomato sauce she’d made some time ago, wonderful stuff, did I like marinara?

Cheryl’s chatter rippled like piano keys, arpeggios of panic. She was still in shock, her sense of outrage lingering behind adamant statements: “Bryan is a good man,” she told me, rather than the stories of his lies and false promises, of his failed vows and her loss of forever.

Instead she showed me where the cumin and chili peppers were stored in the spice rack, how the pots inside the Lazy Susan nest inside each other, how she stacks lids in that corner of the cupboard over there. She demonstrated where the oven racks and cookie sheets go (in the drawer under the oven), where she’d keep the potholders, the drawer she’d set aside for aluminum foil and plastic wrap.

Her prattle was sharper now, we were running out of things to look at. My face felt cold, my cheeks ached from smiling, and I was grinding my teeth together. Cheryl’s tension was contagious, reminding me of my own heartache, a shared past that was rising out of my memory in waves. Not the eddies or ripples that I had learned to live with as I rebuilt my own life, but the rolling breakers, the waves of loss and pain and sorrow that hobbled me in my own early days of starting over.

I finally turned my back on her, reaching blindly for the one drawer we hadn’t yet examined. I yanked the handle, my fingers grasping the chrome pull in a biting grip. The drawer flew open, rolling smoothly on quiet rails.

A sharp rattle, and I looked down. It was the silverware drawer, utensils set inside horizontally, an arrangement I’d never seen before. One of the spoons was rocking against its neighbor. I stared down at that spoon, felt my heart squeeze. Time rolled backwards as that one little spoon, one of eight and yet one of one, tilted apart and then clinked against its mate, a tinny sound that froze my hand and loosened my memory.

The spoons weren’t alone in the drawer; there were forks and butter knives and a grapefruit knife, too. I saw her mini whisks in the skinny opening at the back of the tray. But it was the spoons I kept staring at: “Will you spoon me tonight?” a whispered echo from the past. I didn’t know the voice, was it his, was it mine? It didn’t matter, the lack of holding went on and on.

Oh, those spoons. Curved cups that hold, like two bodies folded in the night, cuddled against the dark. Tiny bowls that hold soup or medicine, instruments of love or healing. Cupped hands: water sluicing down a lover’s back; a spoon to wash the soul.

Empty spoons now. Teaspoons and tablespoons, free of rust spots, scratches and the telltale tooth marks of a trip down the garbage disposal.

“Shall we eat?”

I whirled around, my reverie broken. I slammed the drawer closed, but could still hear the spoons rattling.

She was back on her knees tugging a huge stainless steel pot from its warren under the counter. Water ran in the sink. It whirred against the sides, creating a roaring symphony that matched the one in my head.

I sat down at the table, edged a small menorah to the side. Then I looked at it more closely; the price tag announcing $6.95 from Cost Plus. “You going to light this?”

She shrugged. “If I remember. I just wanted one. I’ve never had one before…not as an adult anyway.”

It’s then I know that her ex wasn’t Jewish. I pause for a moment, wanting to hear my next words more clearly. Mine wasn’t either, I say. It’s my first reference to him, and I know it won’t be the last. My hands caress the menorah lightly, then ball into fists I bury in my lap.

Cheryl smiles at me, a shy flicker, recognizing a link she wasn’t expecting to find. She opens the freezer, pulls out a tub of blood-red sauce, pops it into the microwave. The water boils and she adds angel hair pasta.

“Would you like wine?” she asks, already busy with corkscrew and glasses. She fills two, and as she hands mine over, the monogrammed stemware twinkles. For a long moment we stare at the B and C, intertwined over a D. I can’t believe she took those glasses; clearly, she can’t either. Her hand trembles as she sets it down carefully, then pushes it away.

In the stiff silence that follows, I set the table. Plates and forks and water glasses. She has no napkins, so I use paper towels, folding the oversized sheets into bulky triangles. I leave the spoons in the drawer, hoping she doesn’t use them to mound pasta on her fork.

Dinner is served – a warm spicy blend of tomatoes and garlic and basil. She fills our plates, then picks up her fork, and smiles sweetly at me. “Oh, you forgot the spoons. Don’t you use a spoon to eat pasta?” I shake my head, smile back. She starts to rise, her left hand already reaching towards the silverware drawer. Then she pauses.

“Fuck it. We can eat with our fingers for all I give a damn.”

I stare at her. Then we laugh. I turn my fork on its side, cut the pasta into ropey strands.

by Susan Rich, (c)2014 All Rights Reserved